Tango
Music 101
By Tine Herreman,
the first Yale
Tango Club DJ
Resources
for dancers:
Free Tango Club CD and DVD library, for members only:
available
at the practica, managed by one of our members (ask the DJ who to talk
to)
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Resources for developing DJs:
www.TangoDJ.org
A
starter
CD collection recommended by Tine Herreman. They could be all
you
ever need! They are the CDs in the Yale Tango DJ collection.
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If
you go to the
neighborhood
CD store and locate the tango section (usually under World Music), you
will find CDs by Astor Piazzolla and Carlos Gardel.
Gardel
was a very
famous
Argentine singer and movie star whose effect on the ladies was
comparable
to that of Elvis Presley. He is the national hero of Argentina
(together
with Maradona). He died a tragic death in a plane crash in 1937. His
music
goes more in the "tango chanson" genre. It is not danceable. In fact in
Argentina people consider it insulting to dance to rather than listen
to
his music. It's not worth the bother. Carlos Gardel's music is armchair
tango. Better have some kleenex handy. It's very beautiful and
unspeakably
sad.
Astor
Piazzolla came of
age
during the 30s and 40s, and first did what the established guys were
doing
(but not as well), and then, in true contrary fashion, decided to go do
something completely different. Dancing, he decided, was Out, and big
drama
brain trip tango was In. People have to sit down and listen to the guys
playing. He produced a lot of recordings and it is very powerful and
inspiring
music, but dancing to it is a lot like dancing the hussle to classical
music. It is a difficult challenge, and for most people other than
professional
tango dancers, the result looks and feels inadequate. Astor Piazzolla's
music is armchair tango. If you are really into both Piazzolla and
dancing,
I suggest you explore Osvaldo Pugliese's recordings from the 1950s-60s
(see below), it is equally dramatic but a lot more danceable.
Tango
music for dancing
Tango
music for dancing
was produced in large quantities and high quality and variety from the
mid-30s to the late 50s. These years are known as the Golden Age.
A
tango orchestra (called
an Orquesta Típica) generally had about 10 musicians: a
piano, a
bass, 3 or 4 bandoneons, 4 violins, sometimes a viola or a guitar, and
often a singer.
The
orchestras are named
after the orchestra leader. The orchestra leader was in charge of
deciding
what everything would sound like, and all the orchestras sound
distinctive
and recognizable. So if the DJ tells you you were just listening to
Juan
D'Arienzo, you were listening to Juan's orchestra, in which Juan was
most
likely not handling an instrument, and whoever was singing, that was
also
not Juan himself. The singers are male in about 99% of cases; in those
days it was considered unseemly for women to sing in tango orchestras
for
dancing.
Tango
is still being
played
and recorded now. Mostly though, it is the same classic compositions
played
by contemporary bands and for some reason nobody ever really explained
satisfactorily, the vast majority of these sound very similar to each
other
and not as fresh and exciting as the orchestras of the Golden Age. Some
people like the fact that contemporary recordings sound bigger and less
scratchy and, well, less old. There are a few real
innovators
on
the tango scene, producing jazzy-sounding tango, or tango with pop,
electro
and techno influences. More about that another time.
Back
to the Yale Tango Club home page
Tango,
vals and milonga
When
you go to a tango
dance,
also called a milonga, about two thirds of the time you will hear
actual
tangos, one sixth of the time it will be vals (tango vals, waltz), and
one sixth of the time you will hear milonga music, in repeating cycles.
Tango vals is in 3/4, like the waltz you know, but faster; you step on
the first of the 3 beats, and optionally on either the 2nd or the 3rd
beat.
Milonga is often but not always faster than tango, and generally you
will
step on every beat and also do doubletime steps. Tango is nostalgic
music,
often with male singers going on about how they were driven to the
depths
of despair by beautiful women with dark liquid eyes. Vals lyrics are
often
about new love, or about flowers or one's mother. Vals and milonga are
happy music and brighten the mood of the party.
Most
CDs have primarily
tangos with a few valses and milongas.
The
Big Orchestras
DJs at
tango dances will
generally play music by the Golden Age orchestras listed below. If they
know their stuff, they might also bring in some minor orchestras which
you don't have to worry about unless you are a DJ. These big orchestras
are listed below, in some vague (and somewhat biased) order of
importance.
The period in which they produced their most danceable material is
listed.
Singers would remain with an orchestra for a while, generally several
years.
If you like songs by a particular orchestra with a particular singer,
you
can confidently shop for more knowing you'll probably like that too.
The
list below is not at all exhaustive: there are thousands of tango CDs
in
print. Some of the albums are in bold larger font, these are especially
recommended if you want to buy your first albums.
General
guidelines
include,
when buying music from the fifties, better buy instrumental.
Several
series are
available,
some new, which are a good basis for a collection, no matter how small.
These include the series "Colección 78 rpm", "Reliquias",
"RCA
Victor
100 Años", "Solo Tango", and for Juan D'Arienzo, "El Rey Del
Compas/70
Años". If you buy more than one CD by the same artist in the
same
series, you will get little or no duplication. Plus, the sound quality
of these releases is superior to other series not listed.
I
include links to the CDs
at www.tangostore.com
in
Buenos
Aires. Ordering from tangostore.com is as painless as ordering from a
domestic
source, but it feels more exotic and exciting! If you buy 5 or more
CDs,
the shipping costs (from Argentina, 3-day shipping) are compensated by
the great price of the CDs, US$ 6-8 a piece, compared to US$13 and up
from
online stores like Towerrecords.com and Amazon.com; at these latter
stores
the CDs are often on special order so you may have to wait several
weeks
before they can even tell you if they are available. You can also try www.classictango.com
in California, they have good prices and usually ship immediately. Also
check out www.thetangocatalogue.com
Tangostore.com
has 45
seconds
of each song available to listen. You will rarely hear the singer in
these
snippets, as in those days, at least for dance music, the singer did
not
get to do his thing until halfway through the song. A tango CD is great
value, because you usually get 20 songs on it.
Back
to the Yale Tango Club home page
Where
to start: some recommendations
Recommendations for university
tango club
DJs
Starter
CD collection (60 CDs) recommended by Tine Herreman. They
could be
all you
ever need! They are the CDs in the Yale Tango DJ collection.
For
practicing, or rudimentary DJing on the
cheap
If you are going to buy less than 10 CDs, I suggest you select the CDs
listed in bold in the table below, plus a subset of the others listed.
| Orchestra |
Most
danceable |
Favorite
singers |
Recommended
CDs |
| Carlos
Di Sarli |
40s-50s |
Roberto
Rufino,
Alberto
Podesta, Jorge Duran, 50s: instrumental |
1950s: RCA
Victor 100 Años or Instrumentales
Vol 2
1940s:
any of the Coleccion
78rpm |
| Francisco
Canaro |
30s |
Roberto
Maida,
Ernesto Fama,
instrumentals |
Roberto
Maida Canta Sus Exitos,
Sus
Éxitos Con Ernesto Famá,
Instrumentales
de Colección
Bailando
Tangos, Valses Y Milongas
-
all in the series
Reliquias |
| Juan
D'Arienzo |
late
30s
also
40s-50s |
instrumentals |
Series
El Rey
Del Compas/70
Años, several covering the late 1930s;
De
Pura Cepa and El
Esquinazo are excellent.
Also
for the 40s and
50s,
any of the Coleccion
78rpm |
| Osvaldo
Pugliese |
40s-60s |
Roberto
Chanel,
instrumentals
(40s),
Big
dramatic
instrumentals
only (50s and later) |
Instrumentales
inolvidables Vol 1, Exitos
con Roberto Chanel (both 1940s, series Reliquias)
From
Argentina to the World (1950s-60s) |
| Anibal
Troilo |
40s |
Francisco
Fiorentino |
Solo
Tango Vol 2 |
| Rodolfo
Biagi |
late
30s -
late
40s |
instrumentals,
Jorge Ortiz,
Alberto Amor |
Solos
de orquesta - Reliquias,
Sus
Éxitos con Alberto Amor - Reliquias
Sus
Éxitos con Jorge Ortiz Vol. 1 - Reliquias |
| Miguel
Caló |
40s |
Raul
Beron,
Alberto Podesta |
Al
Compás Del Corazón - Reliquias
Sus
Exitos Con A. Podesta, J. Ortiz Y R. Beron - Reliquias |
| Osvaldo
Fresedo |
late
30s |
Roberto
Ray,
Ricardo Ruiz |
Solo
Tango: Osvaldo Fresedo con cantores,
or
any
of the Coleccion
78rpm |
| Angel
D'Agostino |
40s |
Angel
Vargas |
any
of the Coleccion
78rpm |
| Edgardo
Donato |
30s |
everything |
any
of the Coleccion
78rpm |
| Lucio
Demare |
40s |
Raul
Beron,
others |
Sus
Exitos con Raul Beron |
| Pedro
Laurenz |
40s |
Alberto
Podesta,
others |
Creaciones
Inolvidables Con Podestá Y Bermúdez - Reliquias |
| Francisco
Lomuto |
30s
- 40s |
everything |
any
of the Coleccion
78rpm |
| Orquesta
Típica
Victor |
30s |
everything |
any
of the Coleccion
78rpm |
| Enrique
Rodriguez |
40s |
Armando
Moreno |
Tangos
Con Armando Moreno - Reliquias |
| Ricardo
Tanturi |
40s |
Alberto
Castillo, Enrique
Campos |
Coleccion
78rpm 1940-48 |
| Julio
De Caro |
30s-40s |
everything,
most
are instrumental |
RCA
Victor 100 Años, |
| Alfredo
Gobbi |
late
40s |
instrumentals |
Solo
Tango |
| Alfredo
De
Angelis |
40s |
Carlos
Dante,
Julio Martel,
+ 50s instrumentals |
From
Argentina To The World |
Compilation:
Valses
Inolvidables |
40s |
all
vals, most
vocal, by
various artists |
Valses
Inolvidables |
Back
to the Yale Tango Club home page
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